Books and Habits, from the Lectures of Lafcadio Hearn. Lafcadio HearnЧитать онлайн книгу.
heard the wild birds sing
How sweet you were; they warbled on,
Piped, trill’d the self-same thing.
Thrush, blackbird, linnet, without pause
The burden did repeat,
And still began again because
You were more sweet.
And then I went down to the sea,
And heard it murmuring too,
Part of an ancient mystery,
All made of me and you:
How many a thousand years ago
I loved, and you were sweet—
Longer I could not stay, and so
I fled back to your feet.
The last stanza especially expresses the idea that I have been telling you about; but in a poem entitled “Greater Memory” the idea is much more fully expressed. By “greater memory” you must understand the memory beyond this life into past stages of existence. This piece has become a part of the nineteenth century poetry that will live; and a few of the best stanzas deserve to be quoted,
In the heart there lay buried for years
Love’s story of passion and tears;
Of the heaven that two had begun
And the horror that tore them apart;
When one was love’s slayer, but one
Made a grave for the love in his heart.
The long years pass’d weary and lone
And it lay there and changed there unknown;
Then one day from its innermost place,
In the shamed and ruin’d love’s stead,
Love arose with a glorified face,
Like an angel that comes from the dead.
It uplifted the stone that was set
On that tomb which the heart held yet;
But the sorrow had moulder’d within
And there came from the long closed door
A dear image, that was not the sin
Or the grief that lay buried before.
There was never the stain of a tear
On the face that was ever so dear;
’Twas the same in each lovelier way;
’Twas old love’s holier part,
And the dream of the earliest day
Brought back to the desolate heart.
It was knowledge of all that had been
In the thought, in the soul unseen;
’Twas the word which the lips could not say
To redeem or recover the past.
It was more than was taken away
Which the heart got back at the last.
The passion that lost its spell,
The rose that died where it fell,
The look that was look’d in vain,
The prayer that seemed lost evermore,
They were found in the heart again,
With all that the heart would restore.
Put into less mystical language the legend is this: A young man and a young woman loved each other for a time; then they were separated by some great wrong—we may suppose the woman was untrue. The man always loved her memory, in spite of this wrong which she had done. The two died and were buried; hundreds and hundreds of years they remained buried, and the dust of them mixed with the dust of the earth. But in the perpetual order of things, a pure love never can die, though bodies may die and pass away. So after many generations the pure love which this man had for a bad woman was born again in the heart of another man—the same, yet not the same. And the spirit of the woman that long ago had done the wrong, also found incarnation again; and the two meeting, are drawn to each other by what people call love, but what is really Greater Memory, the recollection of past lives. But now all is happiness for them, because the weaker and worse part of each has really died and has been left hundreds of years behind, and only the higher nature has been born again. All that ought not to have been is not; but all that ought to be now is. This is really an evolutionary teaching, but it is also poetical license, for the immoral side of mankind does not by any means die so quickly as the poet supposes. It is perhaps a question of many tens of thousands of years to get rid of a few of our simpler faults. Anyway, the fancy charms us and tempts us really to hope that these things might be so.
While the poets of our time so extend the history of a love backwards beyond this life, we might expect them to do the very same thing in the other direction. I do not refer to reunion in heaven, or anything of that sort, but simply to affection continued after death. There are some very pretty fancies of the kind. But they can not prove to you quite so interesting as the poems which treat the recollection of past life. When we consider the past imaginatively, we have some ground to stand on. The past has been—there is no doubt about that. The fact that we are at this moment alive makes it seem sufficiently true that we were alive thousands or millions of years ago. But when we turn to the future for poetical inspiration, the case is very different. There we must imagine without having anything to stand upon in the way of experience. Of course if born again into a body we could imagine many things; but there is the ghostly interval between death and birth which nobody is able to tell us about. Here the poet depends upon dream experiences, and it is of such an experience that Christina Rossetti speaks in her beautiful poem entitled “A Pause.”
They made the chamber sweet with flowers and leaves,
And the bed sweet with flowers on which I lay,
While my soul, love-bound, loitered on its way.
I did not hear the birds about the eaves,
Nor hear the reapers talk among the sheaves:
Only my soul kept watch from day to day,
My thirsty soul kept watch for one away:—
Perhaps he loves, I thought, remembers, grieves.
At length there came the step upon the stair,
Upon the lock the old familiar hand:
Then first my spirit seemed to scent the air
Of Paradise; then first the tardy sand
Of time ran golden; and I felt my hair
Put on a glory, and my soul expand.
The woman is dead. In the room where her body died, flowers have been placed, offerings to the dead. Also there are flowers upon the bed. The ghost of the woman observes all this, but she does not feel either glad or sad because of it; she is thinking only of the living lover, who was not there when she died, but far away. She wants to know whether he really loved her, whether he will really be sorry to hear that she is dead. Outside the room of death the birds are singing; in the fields beyond the windows peasants are working, and talking as they work. But the ghost does not listen to these sounds. The ghost remains in the room only for love’s sake; she can not go away until the lover comes. At last she hears him coming. She knows the sound of the step; she knows the touch of the hand upon the lock of the door. And instantly, before she sees him at all, she first feels delight. Already it seems to her that she can smell the perfume of the flowers of heaven; it then seems to her that about her head, as about the head of an angel, a circle of glory is shaping itself, and the real heaven, the Heaven of