Count Robert of Paris. Вальтер СкоттЧитать онлайн книгу.
Sacred Ear itself!"
"Well, my captain," replied the Varangian, "I cannot presume to speak my mind after the fashion of this place; but I can easily suppose I am but ill qualified to converse in the presence of the court, nor do I mean therefore to say a word till I am spoken to, unless when I shall see no better company than ourselves. To be plain, I find difficulty in modelling my voice to a smoother tone than nature has given it. So, henceforth, my brave captain, I will be mute, unless when you give me a sign to speak."
"You will act wisely," said the captain. "Here be certain persons of high rank, nay, some that have been born in the purple itself, that will, Hereward, (alas, for thee!) prepare to sound with the line of their courtly understanding the depths of thy barbarous and shallow conceit. Do not, therefore, then, join their graceful smiles with thy inhuman bursts of cachinnation, with which thou art wont to thunder forth when opening in chorus with thy messmates."
"I tell thee I will be silent," said the Varangian, moved somewhat beyond his mood. "If you trust my word, so; if you think I am a jackdaw that must be speaking, whether in or out of place and purpose, I am contented to go back again, and therein we can end the matter."
Achilles, conscious perhaps that it was his best policy not to drive his subaltern to extremity, lowered his tone somewhat in reply to the uncourtly note of the soldier, as if allowing something for the rude manners of one whom he considered as not easily matched among the Varangians themselves, for strength and valour; qualities which, in despite of Hereward's discourtesy, Achilles suspected in his heart were fully more valuable than all those nameless graces which a more courtly and accomplished soldier might possess.
The expert navigator of the intricacies of the imperial residence, carried the Varangian through two or three small complicated courts, forming a part of the extensive Palace of the Blaquernal,[13] and entered the building itself by a side-door – watched in like manner by a sentinel of the Varangian Guard, whom they passed on being recognised. In the next apartment was stationed the Court of Guard, where were certain soldiers of the same corps amusing themselves at games somewhat resembling the modern draughts and dice, while they seasoned their pastime with frequent applications to deep flagons of ale, which were furnished to them while passing away their hours of duty. Some glances passed between Hereward and his comrades, and he would have joined them, or at least spoke to them; for, since the adventure of the Mitylenian, Hereward had rather thought himsels annoyed than distinguished by his moonlight ramble in the company of his commander, excepting always the short and interesting period during which he conceived they were on the way to fight a duel. Still, however negligent in the strict observance of the ceremonies of the sacred palace, the Varangians had, in their own way, rigid notions of calculating their military duty; in consequence of which Hereward, without speaking to his companions, followed his leader through the guardroom, and one or two antechambers adjacent, the splendid and luxurious furniture of which convinced him that he could be nowhere else save in the sacred residence of his master the Emperor.
At length, having traversed passages and apartments with which the captain seemed familiar, and which he threaded with a stealthy, silent, and apparently a reverential pace, as if, in his own inflated phrase, afraid to awaken the sounding echoes of those lofty and monumental halls, another species of inhabitants began to be visible. In different entrances, and in different apartments, the northern soldier beheld those unfortunate slaves, chiefly of African descent, raised occasionally under the Emperors of Greece to great power and honours, who, in that respect, imitated one of the most barbarous points of Oriental despotism. These slaves were differently occupied; some standing, as if on guard, at gates or in passages, with their drawn sabres in their hands; some were sitting in the Oriental fashion, on carpets, reposing themselves, or playing at various games, all of a character profoundly silent. Not a word passed between the guide of Hereward, and the withered and deformed beings whom they thus encountered. The exchange of a glance with the principal soldier seemed all that was necessary to ensure both an uninterrupted passage.
After making their way through several apartments, empty or thus occupied, they at length entered one of black marble, or some other dark-coloured stone, much loftier and longer than the rest. Side passages opened into it, so far as the islander could discern, descending from several portals in the wall; but as the oils and gums with which the lamps in these passages were fed diffused a dim vapour around, it was difficult to ascertain, from the imperfect light, either the shape of the hall, or the style of its architecture. At the upper and lower ends of the chamber, there was a stronger and clearer light. It was when they were in the middle of this huge and long apartment, that Achilles said to the soldier, in the sort of cautionary whisper which he appeared to have substituted in place of his natural voice since he had crossed the Bridge of Peril —
"Remain here till I return, and stir from this hall on no account."
"To hear is to obey," answered the Varangian,, an expression of obedience, which, like many other phrases and fashions, the empire, which still affected the name of Roman, had borrowed from the Barbarians of the East. Achilles Tatius then hastened up the steps which led to one of the side-doors of the hall, which being slightly pressed, its noiseless hinge gave way and admitted him.
Left alone to amuse himself as he best could, within the limits permitted to him, the Varangian visited in succession both ends of the hall, where the objects were more visible than elsewhere. The lower end had in its centre a small lowbrowed door of iron. Over it was displayed the Greek crucifix in bronze, and around and on every side, the representation of shackles, fetter-bolts, and the like, were also executed in bronze, and disposed as appropriate ornaments over the entrance. The door of the dark archway was half open, and Hereward naturally looked in, the orders of his chief not prohibiting his satisfying his curiosity thus far. A dense red light, more like a distant spark than a lamp, affixed to the wall of what seemed a very narrow and winding stair, resembling in shape and size a draw-well, the verge of which opened on the threshold of the iron door, showed a descent which seemed to conduct to the infernal regions. The Varangian, however obtuse he might be considered by the quickwitted Greeks, had no difficulty in comprehending that a staircase having such a gloomy appearance, and the access to which was by a portal decorated in such a melancholy style of architecture, could only lead to the dungeons of the imperial palace, the size and complicated number of which were neither the least remarkable, nor the least awe-imposing portion of the sacred edifice. Listening profoundly, he even thought he caught such accents as befit those graves of living men, the faint echoing of groans and sighs, sounding as it were from the deep abyss beneath. But in this respect his fancy probably filled up the sketch which his conjectures bodied out.
"I have done nothing," he thought, "to merit being immured in one of these subterranean dens. Surely, though my captain, Achilles Tatius, is, under favour, little better than an ass, he cannot be so false of word as to train me to prison under false pretexts? I trow he shall first see for the last time how the English axe plays, if such is to be the sport of the evening. But let us see the upper end of this enormous vault; it may bear a better omen."
Thus thinking, and not quite ruling the tramp of his armed footstep according to the ceremonies of the place, the large-limbed Saxon strode to the upper end of the black marble hall. The ornament of the portal here was a small altar, like those in the temples of the heathen deities, which projected above the centre of the arch. On this altar smoked incense of some sort, the fumes of which rose curling in a thin cloud to the roof, and thence extending through the hall, enveloped in its column of smoke a singular emblem, of which the Varangian could make nothing. It was the representation of two human arms and hands, seeming to issue from the wall, having the palms extended and open, as about to confer some boon on those who approached the altar. These arms were formed of bronze, and being placed farther back than the altar with its incense., were seen through the curling smoke by lamps so disposed as to illuminate the whole archway. "The meaning of this," thought the simple barbarian, "I should well know how to explain, were these fists clenched, and were the hall dedicated to the pancration, which we call boxing; but as even these helpless Greeks use not their hands without their fingers being closed, by St George, I can make out nothing of their meaning."
At this instant Achilles entered the black marble hall at the same door by which he had left it, and came up to his neophyte, as the Varangian might be termed.
"Come
This palace derived its name from the neighbouring