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Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in History. Томас КарлейльЧитать онлайн книгу.

Sartor Resartus, and  On Heroes, Hero-Worship, and the Heroic in History - Томас Карлейль


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and publish was other than medicinal and sacred.

      In such environment, social, domestic, physical, did Teufelsdröckh, at the time of our acquaintance, and most likely does he still, live and meditate. Here, perched-up in his high Wahngasse watch-tower, and often, in solitude, outwatching the Bear, it was that the indomitable Inquirer fought all his battles with Dulness and Darkness; here, in all probability, that he wrote this surprising Volume on Clothes. Additional particulars: of his age, which was of that standing middle sort you could only guess at; of his wide surtout; the colour of his trousers, fashion of his broad-brimmed steeple-hat, and so forth, we might report, but do not. The Wisest truly is, in these times, the Greatest; so that an enlightened curiosity, leaving Kings and suchlike to rest very much on their own basis, turns more and more to the Philosophic Class: nevertheless, what reader expects that, with all our writing and reporting, Teufelsdröckh could be brought home to him, till once the Documents arrive? His Life, Fortunes, and Bodily Presence, are as yet hidden from us, or matter only of faint conjecture. But, on the other hand, does not his Soul lie enclosed in this remarkable Volume, much more truly than Pedro Garcia’s did in the buried Bag of Doubloons? To the soul of Diogenes Teufelsdröckh, to his opinions, namely, on the ‘Origin and Influence of Clothes,’ we for the present gladly return.

      CHAPTER IV

      CHARACTERISTICS

      It were a piece of vain flattery to pretend that this Work on Clothes entirely contents us; that it is not, like all works of genius, like the very Sun, which, though the highest published creation, or work of genius, has nevertheless black spots and troubled nebulosities amid its effulgence,—a mixture of insight, inspiration, with dulness, double-vision, and even utter blindness.

      Without committing ourselves to those enthusiastic praises and prophesyings of the Weissnichtwo’sche Anzeiger, we admitted that the Book had in a high degree excited us to self-activity, which is the best effect of any book; that it had even operated changes in our way of thought; nay, that it promised to prove, as it were, the opening of a new mine-shaft, wherein the whole world of Speculation might henceforth dig to unknown depths. More especially it may now be declared that Professor Teufelsdröckh’s acquirements, patience of research, philosophic and even poetic vigour, are here made indisputably manifest; and unhappily no less his prolixity and tortuosity and manifold ineptitude; that, on the whole, as in opening new mine-shafts is not unreasonable, there is much rubbish in his Book, though likewise specimens of almost invaluable ore. A paramount popularity in England we cannot promise him. Apart from the choice of such a topic as Clothes, too often the manner of treating it betokens in the Author a rusticity and academic seclusion, unblamable, indeed inevitable in a German, but fatal to his success with our public.

      Of good society Teufelsdröckh appears to have seen little, or has mostly forgotten what he saw. He speaks-out with a strange plainness; calls many things by their mere dictionary names. To him the Upholsterer is no Pontiff, neither is any Drawing-room a Temple, were it never so begilt and overhung: ‘a whole immensity of Brussels carpets, and pier-glasses, and or-molu,’ as he himself expresses it, ‘cannot hide from me that such Drawing-room is simply a section of Infinite Space, where so many God-created Souls do for the time meet together.’ To Teufelsdröckh the highest Duchess is respectable, is venerable; but nowise for her pearl bracelets and Malines laces: in his eyes, the star of a Lord is little less and little more than the broad button of Birmingham spelter in a Clown’s smock; ‘each is an implement,’ he says, ‘in its kind; a tag for hooking-together; and, for the rest, was dug from the earth, and hammered on a smithy before smith’s fingers.’ Thus does the Professor look in men’s faces with a strange impartiality, a strange scientific freedom; like a man unversed in the higher circles, like a man dropped thither from the Moon. Rightly considered, it is in this peculiarity, running through his whole system of thought, that all these short-comings, over-shootings, and multiform perversities, take rise: if indeed they have not a second source, also natural enough, in his Transcendental Philosophies, and humour of looking at all Matter and Material things as Spirit; whereby truly his case were but the more hopeless, the more lamentable.

      To the Thinkers of this nation, however, of which class it is firmly believed there are individuals yet extant, we can safely recommend the Work: nay, who knows but among the fashionable ranks too, if it be true, as Teufelsdröckh maintains, that ‘within the most starched cravat there passes a windpipe and weasand, and under the thickliest embroidered waistcoat beats a heart,’—the force of that rapt earnestness may be felt, and here and there an arrow of the soul pierce through? In our wild Seer, shaggy, unkempt, like a Baptist living on locusts and wild honey, there is an untutored energy, a silent, as it were unconscious, strength, which, except in the higher walks of Literature, must be rare. Many a deep glance, and often with unspeakable precision, has he cast into mysterious Nature, and the still more mysterious Life of Man. Wonderful it is with what cutting words, now and then, he severs asunder the confusion; shears down, were it furlongs deep, into the true centre of the matter; and there not only hits the nail on the head, but with crushing force smites it home, and buries it.—On the other hand, let us be free to admit, he is the most unequal writer breathing. Often after some such feat, he will play truant for long pages, and go dawdling and dreaming, and mumbling and maundering the merest commonplaces, as if he were asleep with eyes open, which indeed he is.

      Of his boundless Learning, and how all reading and literature in most known tongues, from Sanchoniathon to Dr Lingard, from your Oriental Shasters, and Talmuds, and Korans, with Cassini’s Siamese Tables, and Laplace’s Mécanique Céleste, down to Robinson Crusoe and the Belfast Town and Country Almanack, are familiar to him,—we shall say nothing: for unexampled as it is with us, to the Germans such universality of study passes without wonder, as a thing commendable, indeed, but natural, indispensable, and there of course. A man that devotes his life to learning, shall he not be learned?

      In respect of style our Author manifests the same genial capability, marred too often by the same rudeness, inequality, and apparent want of intercourse with the higher classes. Occasionally, as above hinted, we find consummate vigour, a true inspiration; his burning thoughts step forth in fit burning words, like so many full-formed Minervas, issuing amid flame and splendour from Jove’s head; a rich, idiomatic diction, picturesque allusions, fiery poetic emphasis, or quaint tricksy turns; all the graces and terrors of a wild Imagination, wedded to the clearest Intellect, alternate in beautiful vicissitude. Were it not that sheer sleeping and soporific passages; circumlocutions, repetitions, touches even of pure doting jargon, so often intervene! On the whole, Professor Teufelsdröckh is not a cultivated writer. Of his sentences perhaps not more than nine-tenths stand straight on their legs; the remainder are in quite angular attitudes, buttressed-up by props (of parentheses and dashes), and ever with this or the other tagrag hanging from them; a few even sprawl-out helplessly on all sides, quite broken-backed and dismembered. Nevertheless, in almost his very worst moods, there lies in him a singular attraction. A wild tone pervades the whole utterance of the man, like its keynote and regulator; now screwing itself aloft as into the Song of Spirits, or else the shrill mockery of Fiends; now sinking in cadences, not without melodious heartiness, though sometimes abrupt enough, into the common pitch, when we hear it only as a monotonous hum; of which hum the true character is extremely difficult to fix. Up to this hour we have never fully satisfied ourselves whether it is a tone and hum of real Humour, which we reckon among the very highest qualities of genius, or some echo of mere Insanity and Inanity, which doubtless ranks below the very lowest.

      Under a like difficulty, in spite even of our personal intercourse, do we still lie with regard to the Professor’s moral feeling. Gleams of an ethereal Love burst forth from him, soft wailings of infinite pity; he could clasp the whole Universe into his bosom, and keep it warm; it seems as if under that rude exterior there dwelt a very seraph. Then again he is so sly and still, so imperturbably saturnine; shows such indifference, malign coolness towards all that men strive after; and ever with some half-visible wrinkle of a bitter sardonic humour, if indeed it be not mere stolid callousness,—that you look on him almost with a shudder, as on some incarnate Mephistopheles, to whom this great terrestrial and celestial Round, after all, were but some huge foolish Whirligig, where kings and beggars, and angels and demons, and stars and street-sweepings, were chaotically whirled, in which only children could


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