The Parisians — Complete. Эдвард Бульвер-ЛиттонЧитать онлайн книгу.
complexion was pale, but clear and healthful. In repose the expression of his face was that of a somewhat melancholy indolence, but in speaking it became singularly sweet, with a smile of the exquisite urbanity which no artificial politeness can bestow; it must emanate from that native high breeding which has its source in goodness of heart.
Enguerrand was fair, with curly locks of a golden chestnut. He wore no beard, only a small mustache rather darker than his hair. His complexion might in itself be called effeminate, its bloom was so fresh and delicate; but there was so much of boldness and energy in the play of his countenance, the hardy outline of the lips, and the open breadth of the forehead, that “effeminate” was an epithet no one ever assigned to his aspect. He was somewhat under the middle height, but beautifully proportioned, carried himself well, and somehow or other did not look short even by the side of tall men. Altogether he seemed formed to be a mother’s darling, and spoiled by women, yet to hold his own among men with a strength of will more evident in his look and his bearing than it was in those of his graver and statelier brother.
Both were considered by their young co-equals models in dress, but in Raoul there was no sign that care or thought upon dress had been bestowed; the simplicity of his costume was absolute and severe. On his plain shirt-front there gleamed not a stud, on his fingers there sparkled not a ring. Enguerrand, on the contrary, was not without pretension in his attire; the broderie in his shirt-front seemed woven by the Queen of the Fairies. His rings of turquoise and opal, his studs and wrist-buttons of pearl and brilliants, must have cost double the rental of Rochebriant, but probably they cost him nothing. He was one of those happy Lotharios to whom Calistas make constant presents. All about him was so bright that the atmosphere around seemed gayer for his presence.
In one respect at least the brothers closely resembled each other,—in that exquisite graciousness of manner for which the genuine French noble is traditionally renowned; a graciousness that did not desert them even when they came reluctantly into contact with roturiers or republicans; but the graciousness became egalite, fraternite, towards one of their caste and kindred.
“We must do our best to make Paris pleasant to you,” said Raoul, still retaining in his grasp the hand he had taken.
“Vilain cousin,” said the livelier Enguerrand, “to have been in Paris twenty-four hours, and without letting us know.”
“Has not your father told you that I called upon him?”
“Our father,” answered Raoul, “was not so savage as to conceal that fact; but he said you were only here on business for a day or two, had declined his invitation, and would not give your address. Pauvre pere! we scolded him well for letting you escape from us thus. My mother has not forgiven him yet; we must present you to her to-morrow. I answer for your liking her almost as much as she will like you.”
Before Alain could answer dinner was announced. Alain’s place at dinner was between his cousins. How pleasant they made themselves! It was the first time in which Alain had been brought into such familiar conversation with countrymen of his own rank as well as his own age. His heart warmed to them. The general talk of the other guests was strange to his ear; it ran much upon horses and races, upon the opera and the ballet; it was enlivened with satirical anecdotes of persons whose names were unknown to the Provincial; not a word was said that showed the smallest interest in politics or the slightest acquaintance with literature. The world of these well-born guests seemed one from which all that concerned the great mass of mankind was excluded, yet the talk was that which could only be found in a very polished society. In it there was not much wit, but there was a prevalent vein of gayety, and the gayety was never violent, the laughter was never loud; the scandals circulated might imply cynicism the most absolute, but in language the most refined. The Jockey Club of Paris has its perfume.
Raoul did not mix in the general conversation; he devoted himself pointedly to the amusement of his cousin, explaining to him the point of the anecdotes circulated, or hitting off in terse sentences the characters of the talkers.
Enguerrand was evidently of temper more vivacious than his brother, and contributed freely to the current play of light gossip and mirthful sally.
Louvier, seated between a duke and a Russian prince, said little except to recommend a wine or an entree, but kept his eye constantly on the Vandemars and Alain.
Immediately after coffee the guests departed. Before they did so, however, Raoul introduced his cousin to those of the party most distinguished by hereditary rank or social position. With these the name of Rochebriant was too historically famous not to insure respect of its owner; they welcomed him among them as if he were their brother.
The French duke claimed him as a connection by an alliance in the fourteenth century; the Russian prince had known the late Marquis, and trusted that the son would allow him to improve into friendship the acquaintance he had formed with the father.
Those ceremonials over, Raoul linked his arm in Alain’s and said: “I am not going to release you so soon after we have caught you. You must come with me to a house in which I at least spend an hour or two every evening. I am at home there. Bah! I take no refusal. Do not suppose I carry you off to Bohemia,—a country which, I am sorry to say, Enguerrand now and then visits, but which is to me as unknown as the mountains of the moon. The house I speak of is comme il faut to the utmost. It is that of the Contessa di Rimini,—a charming Italian by marriage, but by birth and in character on ne peut plus Francaise. My mother adores her.”
That dinner at M. Louvier’s had already effected a great change in the mood and temper of Alain de Rochebriant; he felt, as if by magic, the sense of youth, of rank, of station, which had been so suddenly checked and stifled, warmed to life within his veins. He should have deemed himself a boor had he refused the invitation so frankly tendered.
But on reaching the coupe which the brothers kept in common, and seeing it only held two, he drew back.
“Nay, enter, mon cher,” said Raoul, divining the cause of his hesitation; “Enguerrand has gone on to his club.”
CHAPTER V
“Tell me,” said Raoul, when they were in the carriage, “how you came to know M. Louvier.”
“He is my chief mortgagee.”
“H’m! that explains it. But you might be in worse hands; the man has a character for liberality.”
“Did your father mention to you my circumstances, and the reason that brings me to Paris?”
“Since you put the question point-blank, my dear cousin, he did.”
“He told you how poor I am, and how keen must be my lifelong struggle to keep Rochebriant as the home of my race?”
“He told us all that could make us still more respect the Marquis de Rochebriant, and still more eagerly long to know our cousin and the head of our house,” answered Raoul, with a certain nobleness of tone and manner.
Alain pressed his kinsman’s hand with grateful emotion. “Yet,” he said falteringly, “your father agreed with me that my circumstances would not allow me to—”
“Bah!” interrupted Raoul, with a gentle laugh; “my father is a very clever man, doubtless, but he knows only the world of his own day, nothing of the world of ours. I and Enguerrand will call on you to-morrow, to take you to my mother, and before doing so, to consult as to affairs in general. On this last matter Enguerrand is an oracle. Here we are at the Contessa’s.”
CHAPTER VI
The Contessa di Rimini received her visitors in a boudoir furnished with much apparent simplicity, but a simplicity by no means inexpensive. The draperies were but of chintz, and the walls covered with the same material,—a lively pattern, in which the prevalents were rose-colour and white; but the ornaments on the mantelpiece, the china stored in the cabinets or arranged on the shelves, the small knickknacks scattered on the tables, were costly rarities of art.